Harlem Season Two cements the main cast as actors on the rise as the series continues to evolve, delight and authentically challenge its leads.
In Creed III, Michael B. Jordan takes the directing reins, extracting terrific performances from his cast and rejuvenating the franchise.
The road leading through months of campaigning, awards ceremonies, luncheons, interviews, and photo ops finally ends with the 95th Academy Awards this Sunday at the Dolby Theater.
Director Charlie McDougall effortlessly recreates scenes, bouncing with anticipation and claustrophobia as each of Julia’s performances is rigorously staged.
Joanna Hogg’s The Souvenir brilliantly captures the internal struggles of a young film student caught in a toxic relationship.
As standalone shorts, Wes Anderson makes the case that independent and distinctive vignettes are just as captivating as feature-length
In Titane, Evil can be innate and discovered, but it can’t be wiped clean, nor should it be. It’s a monster, and punishment will be severe.
Perhaps in the era of streamers overusing the plus symbol, there needs to be a reimagining of what the Emmys can be.
Nia DaCosta’s perspective shift expands the world of Candyman with a visual style that cements her as an exciting director to watch.
In The Handmaid’s Tale’s fourth season, Brutality experienced mutates into a rage, and by the end, it’s all-consuming.
Werewolves Within is an unintentionally distant cousin to Jim Cummings’ hilariously off-beat 2020 thriller The Wolf of Snow Hollow.
In The Tomorrow War, directed by Lego Batman Movie’s Chris McKay, Pratt a high school science teacher and Army vet unsatisfied with life.
Netflix’s Never Have I Ever has an incredibly winning season for a show that already had a stellar, engaging first run.
Enlightened creator Mike White moves into an exciting new chapter in his career, sweeping through the guests’ and staffs’ lives with ease and believability.